In the mysore room, practitioners trickle in at the start of class. When the first row fills before the class officially starts, it often becomes one of those full-power kind of practice days.

Somehow, these early students set the pace, they warm the room, they get it going: a flow in which all the later currents can just pour into. And the studio, most of the time, fills–I think, attracted by the power of practice already brewing in the building.