One with World and Practice

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Sunset at Fort Bragg’s coastline in Mendocino, California.

How many times have we looked out into the great big world, taking in one of those breathtaking views, and are awed by all that we are not? We are inspired, our imagination stirred, we are humbled, but these feelings also put us in different places–us and the world.

What would it be like to look out at the greatness that is and see a reflection of ourselves? What would it be like if we saw sameness instead of separation? If we looked out and instead of noting difference, we say: “wow, I’m a part of that,” or “that’s me, too!”

What if we looked at everything, big and small, every person we meet, no matter what the circumstance, every interaction we have in the same manner? Imagine how different life might be.

In the microcosm, this is a challenge we meet in daily practice–at least, I know I do. There’s me and then there’s the room and the people in the room. There’s my practice, and then the practice of others and my idea of an ideal practice. How many times does our drishti (point of focus) slide and we take in through our periphery some excellent (or sometimes, less than excellent) posturing and we compare ourselves to another?

There was a time when I looked upon these thoughts with a great deal of shame; I wanted  to be above it all, thinking that would make me a good yoga practitioner.

When these thoughts come up nowadays, I find more humor in them and more gratefulness for them. For the function of practice is to tease these reflections of the ego up to the surface where they can be seen in the full light of day–that they come up is not a problem but a part of a solution. As we observe them, they come up less and less and they subtly loose their power.

More and more, I have different kinds of moments when I’m teaching  or when I am practicing. Sometimes, I perceive someone who may be dissimilar in practice, body type, everything, and still I think: yup, that’s me! Maybe the current me, or 7-years-ago me, or the me I might be in a few years, but that’s me, that’s my experience also, that’s my challenge, that’s my strongpoint too, that’s my fear–and in these incredibly precious moments, I see sameness, I feel compassion.

There are other times when I see someone doing just the most impossible, gravity-defying, beautiful thing, which I cannot even imagine getting close to, and I feel beyond envy this great sense of incalculable possibility. I am inspired by our shared potentiality, though it will, no doubt, express itself differently for me.

And then, there’s the practice, which is so very personal. Yet, over time, it starts to feel quite impersonal also. Especially in a mysore space, there’s the practice that I feel is mine, (my mat, my body, my motions) and then there’s the practice that is ours, that is shared in the room, and beyond that, a practice that is shared by a global community that is still connected from teacher to student, teacher to student, all the way back to Mysore, India, the way it has been since the beginning. Then there’s the practice that is shared by everyone, which is life…

I know this looking at unity instead of difference is hard to sustain, so conditioned are we to compare or to see our own smallness.

But the photo above had me thinking about this man looking at the sunset. I imagine his awe at the scene before him, the sun setting into the Pacific coloring the Northern Californian coastline. I wonder, is he thinking: “wow, that’s a sight” or “aren’t we just amazing!” From where I’m sitting, I am also in awe and he is as much a part of the magnificent landscape, his presence completes the scene–and I am also a part of it, even though, from where I’m sitting, I might not see it.

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Trust Your Struggle

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“Trust Your Struggle.” Street Art. Temascal, Oakland.

I love the Mysore room. It’s one of my favorite places to be, whether it’s practicing or teaching, I can’t help but feel alive in such a space. I love the victories after some long-fought challenge, but I also have a great respect and appreciation for the power of practice when I see a student near tears. It’s very real, this hot house of human action, people moving within a small portion of rubber mat. It’s steamy and there is a palpable thickness in the air. There’s a lot of love here–but it’s not the love of fluffy bunnies or candy-colored unicorns–it is often a love forged from gritty, sweaty, face-all-twisted struggle.

Struggle? That seems like a paradox, right! Ashtanga is a yoga practice, after all, so shouldn’t it promote a deep sense of peace and calm, physical ease and mental equilibrium?

Ashtanga is a very honest practice, reflecting back at its practitioners their life in concentrated form. When life is hard, practice takes on that hardness. When life is easy, sometimes (when we’re lucky) it’s easy, but often practice will dig a little deeper to find a soft spot. It’s a tradition designed to make you strong and also flexible–and a component of that is to whittle away at what’s unnecessary: shame, fear, pride, all forms of ego–these are not easy things to be grappling with, thus, the struggle. The struggles are there for a reason: for us to understand ourselves better.

I think it’s important to note that I’m not speaking of binding in maricasana D, suptakurmasana, learning to drop back or getting the leg behind the head but rather the human struggle that comes with the challenges that are presented by certain postures, sometimes by practice as a whole. The struggle isn’t actually getting past the pose but getting past the challenge/turmoil that the pose creates. It’s not about moving forward in any particular series, it’s about moving beyond it.

As practitioners, we are responsible for the struggles that present themselves on the mat. We must meet them, rather than run from them. And with practice, meeting them means getting up close and personal with them through our bodies pretty much everyday with as much equanimity as we can muster until they loose their power. We might relax into them, melting into some mythical grace, or we might fight them tooth and nail in some epic shit fight, there’s no blue print for how exactly we are meant to face these moments. But I think we must trust that the struggle is there for a reason, that it serves some greater purpose other than to annoy or frustrate us, it isn’t getting in the way of our ease and happiness–rather, it is the way.


Continuing to grow here in Mysore SF. It is such a pleasure to be working in such a space where the practice and the teaching is so very alive, so very real–real in the struggle as much as the joy of practice. There’s an alchemical force in the room. The potential for transformation is there. Very grateful to be taking part in it. Mysore is Mon-Thur, 6-9am. Led Class is Fridays 6am and 7:30am. Sunday Mysore is 2nd and 4th Sundays (no class September 27, it is moon day). 

The Offering

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Honoring Guruji, Sri K. Pattabhi Jois, on his 100th birthday. Of course, Hanuman too.

Today a student brought flowers for Hanuman and Guruji–a beautiful offering. The real offering, however, is the simple and, yet, at times, difficult task of coming to class. The sacred act of showing up, no matter what that looks like, no matter what it feels like, no matter whether we are completing first, second, third, part of standing, turning up on our mats each morning is the offering we make to our teacher, to ourselves, to our deepest purpose. To practice is to bow respectfully as you lay freshly picked flowers before your teacher. It is a kind of work/prayer that is continuous, that doesn’t ask for anything other than to be allowed to be in existence, in gratitude and in love.

PHOTO: Hanuman and Guruji, honored with flowers in Mysore SF. It has been a beautiful and challenging opportunity teaching on my own here these few weeks. I am grateful to all the students who did the simple and yet sometimes so difficult task of showing up. (Guruji would have been 100 years-old this week).

Another World: Mysore SF

There are no signs here. No glitzy window dressings or clear glass where one might peek through and see yoga bodies. There is no merchandising. There is a door with a push-button code. Ok, the building, a dance annex, isn’t exactly non-descript, but the eye-catching yet abstract design that swirls and flows on the edifice mysteriously pulls one in—just like the practice that is going on upstairs in the early hours of the morning. This is Mysore SF.

Many Mysore spaces that I’ve visited has that in common. It’s low key. Usually not affiliated with a mainstream yoga corporation. It doesn’t dress up the practice. oys got its own energy, attitude. There is usually a great deal of condensation on the windows. The feeling of shanti or peace is not accomplished by burning incense or the sweet tones of new aged devotional chanting; it happens through consistent daily practice, a lot of patience, hard work, and on occasion a healthy dose of struggle just to remind you that you are alive and still well up for fighting the good fight. It is a room where people breathe and move. And if you stick with it, it’s a place where a kind of alchemy starts to happen.

I am always impressed and in awe of how practice evolves and translates in different countries, in different cities and spaces, and in the hands of different teachers–who, especially when they are teaching authentically, are all pretty unique. How distinct it feels and yet how it remains constant and true to the essence of Ashtanga yoga. So it is here, the same as everywhere, and yet also different. 

Like the fog here in San Francisco, students surely but quietly roll in, unfurling their mats like wings, breathing and moving, fogging up the windows, then rolling up their mats, returning the next morning to repeat the process. There is a steadiness to it, it’s substantial but also light. Like the morning fog rolling into the city, you can count on it. For me, coming into work these days is like watching the day break, seeing the world waking.


For more information, visit: http://www.mysoresf.com.