Fly Your Prayers

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Paris, Beirut, Syria, Iraq, the list goes on. So much darkness all around. There is too much loss, one too many people displaced, everywhere there is suffering. And from practically everywhere, too, at least a week ago, after the attack on Paris, prayers were launched via hashtags towards the darkest places on the planet at that moment. A week on and social media is now abuzz with the backlash from all sides: criticism and fear-mongering.

What to do now? Where do we all go from here? Incredibly big questions for incredibly complex problems, which have a whole lot of history that needs, first, understanding, and then careful and steady undoing. What happens now to all these prayers?

Over the months here in San Francisco, I have had the great opportunity to explore the ashtanga practice and intention-making as medicine with some amazing teachers. There is a great healing energy that comes with declaring one’s clear and simple prayer. It is personal, our prayers are our own but they are also universal. Your prayer for peace and happiness and love–guess what, everyone wants that too! We forget that, ultimately, we want and deserve the same things, yet we continue to build walls of separation–personal and physical and political boundaries.

When we come to our mats and we practice, we open with a mantra. In the western yoga community, there’s a lot of sensitivity about what that is. For me, it’s a prayer. The essence of this prayer honors the great process of being led from darkness to light. We sound this out and then we practice. We plant this sound, this seed, into our body and then we nourish it with our breath, our movement and our attention. And whoever has been really practicing knows that this prayer becomes alive, it grows in the body and blooms in one’s life.

When we practice, we fly our prayer. It grows wings and it soars.

It’s really good to see people express their prayers, their hopes, even their admonishments during these difficult times because it shows that we as a community of human beings acknowledge that the world should not be like this. But how do we now live in these prayers, how do we breathe life into them, and walk into them with grace, how do we take these hashtags and sounds and ideas and bring them into a living practice that can support substantial change?

I feel personally challenged by this, how can I be this prayer, for myself as much as for everyone else.  I know it will look different for me in my life as it will for someone else. But I hope that we all start to do so, to really live in these prayers.

I want to close with a poem from Rumi that a friend sent a couple of days ago just as I was starting to write this blog. These questions are very old and perhaps we should defer to wisdom of the Sufi poet:

What will our children do in the morning?
Will they wake with their hurts wanting to play, the way wings should?

Will they have dreamed the needed flights and gathered the strength from the planets that all man and woman need to balance the wonderful charms of the earth?

So that her power and beauty does not make us forget our own.

I know all about the ways of the heart-how it wants to be alive.

Love so needs to love that it will endure almost anything, even abuse, just to flicker for a moment. But the sky’s mouth is kind, its song will never hurt you, for I sing those words.

What will the children do in the morning if they do not see us fly?

Mysore Sunday, Final Session

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So much of my most precious interactions happen on a rubber mat with students while teaching in a Mysore space. Where else do you get to meet someone in this way, slowly over time, whilst they quietly cook in the juices of their own humanity, turning over with each deliberate breath and movement the fluctuations of the mind and heart.

It’s like getting to know someone without any context other than what plays out in the half-hour, hour, hour and forty-five minutes that one practices. Story-telling is minimized, so is the drama. The body is so intelligent. The practice is so precise. I love meeting in this way. It is so raw and real… and honest.

As a mysore teacher, the challenge is to meet as honestly as well. To cut out the superfluous, the desire to people please, the need to teach, so that the practice can do it’s thing. I often have to remind myself that the best thing that I can do is to get out of the way. The opposite is also true, when it arrises; it’s important to recognize when it’s a good time to get involved, when support is necessary.

Meeting in this way, in mysore-style classes, it is looking into a mirror and seeing who you are at that one moment. Sometimes, what I see is glorious. Other times, I see that I am one hot mess. All of it is ok and also, none of it matters. By meeting, we submit to an alchemical process, a world of change.

It has been incredibly special to lead the Mysore Sunday classes here in Mysore SF twice a month. Please come to class, I love to meet with you. I will also continue to assist Magnolia Zuniga in Mysore SF until December 10, 2015 before heading back to Asia to prepare to study with my own teacher in Mysore, India.

Shine On: Happy Diwali!

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Be Light. Happy Diwali!

Today is one of my favorite festivals in India. Well, except, when I am, actually in India–then it’s a little harrowing, very loud, and driving a scooter across town is akin to traveling across war zones as one needs to weave deftly around pockets of merry-making firework-obsessed celebrants making noise and explosions very few meters from each other.

Diwali is the Festival of Lights. It is a reminder than even in the darkness of the new moon today, that each of us is an oil lamp, that we each have a role of lighting each other’s path.

It has been an amazing period of time for me here in San Francisco. Amazing for all of the gifts, but likewise so were all the challenges. Being stationary for the last 7 months has given me a chance to really sit with myself and stand in my own life–and it was at the darkest stages where I saw the most light. That is the relationship between light and dark, the great common sense between the duality of it.

I am grateful to all those night lights, bright and shiny human beings, who I feel incredibly blessed to know. I also know that in these exchanges, I have been the same, a little light that has helps in the dark.

I like to think that at some point, I should be able to see my own light all the time. Perhaps when that happens, the path disappears and there isn’t anywhere else to go. Until then, let’s tend those oil lamps, celebrating not just the lights all around us, but that deep internal glow that never gets extinguished. Shine on, everyone!

Happy New Moon, as well as Diwali, no class at Mysore SF today. Take rest. See everyone back on the mat on Thursday. 

One with World and Practice

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Sunset at Fort Bragg’s coastline in Mendocino, California.

How many times have we looked out into the great big world, taking in one of those breathtaking views, and are awed by all that we are not? We are inspired, our imagination stirred, we are humbled, but these feelings also put us in different places–us and the world.

What would it be like to look out at the greatness that is and see a reflection of ourselves? What would it be like if we saw sameness instead of separation? If we looked out and instead of noting difference, we say: “wow, I’m a part of that,” or “that’s me, too!”

What if we looked at everything, big and small, every person we meet, no matter what the circumstance, every interaction we have in the same manner? Imagine how different life might be.

In the microcosm, this is a challenge we meet in daily practice–at least, I know I do. There’s me and then there’s the room and the people in the room. There’s my practice, and then the practice of others and my idea of an ideal practice. How many times does our drishti (point of focus) slide and we take in through our periphery some excellent (or sometimes, less than excellent) posturing and we compare ourselves to another?

There was a time when I looked upon these thoughts with a great deal of shame; I wanted  to be above it all, thinking that would make me a good yoga practitioner.

When these thoughts come up nowadays, I find more humor in them and more gratefulness for them. For the function of practice is to tease these reflections of the ego up to the surface where they can be seen in the full light of day–that they come up is not a problem but a part of a solution. As we observe them, they come up less and less and they subtly loose their power.

More and more, I have different kinds of moments when I’m teaching  or when I am practicing. Sometimes, I perceive someone who may be dissimilar in practice, body type, everything, and still I think: yup, that’s me! Maybe the current me, or 7-years-ago me, or the me I might be in a few years, but that’s me, that’s my experience also, that’s my challenge, that’s my strongpoint too, that’s my fear–and in these incredibly precious moments, I see sameness, I feel compassion.

There are other times when I see someone doing just the most impossible, gravity-defying, beautiful thing, which I cannot even imagine getting close to, and I feel beyond envy this great sense of incalculable possibility. I am inspired by our shared potentiality, though it will, no doubt, express itself differently for me.

And then, there’s the practice, which is so very personal. Yet, over time, it starts to feel quite impersonal also. Especially in a mysore space, there’s the practice that I feel is mine, (my mat, my body, my motions) and then there’s the practice that is ours, that is shared in the room, and beyond that, a practice that is shared by a global community that is still connected from teacher to student, teacher to student, all the way back to Mysore, India, the way it has been since the beginning. Then there’s the practice that is shared by everyone, which is life…

I know this looking at unity instead of difference is hard to sustain, so conditioned are we to compare or to see our own smallness.

But the photo above had me thinking about this man looking at the sunset. I imagine his awe at the scene before him, the sun setting into the Pacific coloring the Northern Californian coastline. I wonder, is he thinking: “wow, that’s a sight” or “aren’t we just amazing!” From where I’m sitting, I am also in awe and he is as much a part of the magnificent landscape, his presence completes the scene–and I am also a part of it, even though, from where I’m sitting, I might not see it.

Trust Your Struggle

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“Trust Your Struggle.” Street Art. Temascal, Oakland.

I love the Mysore room. It’s one of my favorite places to be, whether it’s practicing or teaching, I can’t help but feel alive in such a space. I love the victories after some long-fought challenge, but I also have a great respect and appreciation for the power of practice when I see a student near tears. It’s very real, this hot house of human action, people moving within a small portion of rubber mat. It’s steamy and there is a palpable thickness in the air. There’s a lot of love here–but it’s not the love of fluffy bunnies or candy-colored unicorns–it is often a love forged from gritty, sweaty, face-all-twisted struggle.

Struggle? That seems like a paradox, right! Ashtanga is a yoga practice, after all, so shouldn’t it promote a deep sense of peace and calm, physical ease and mental equilibrium?

Ashtanga is a very honest practice, reflecting back at its practitioners their life in concentrated form. When life is hard, practice takes on that hardness. When life is easy, sometimes (when we’re lucky) it’s easy, but often practice will dig a little deeper to find a soft spot. It’s a tradition designed to make you strong and also flexible–and a component of that is to whittle away at what’s unnecessary: shame, fear, pride, all forms of ego–these are not easy things to be grappling with, thus, the struggle. The struggles are there for a reason: for us to understand ourselves better.

I think it’s important to note that I’m not speaking of binding in maricasana D, suptakurmasana, learning to drop back or getting the leg behind the head but rather the human struggle that comes with the challenges that are presented by certain postures, sometimes by practice as a whole. The struggle isn’t actually getting past the pose but getting past the challenge/turmoil that the pose creates. It’s not about moving forward in any particular series, it’s about moving beyond it.

As practitioners, we are responsible for the struggles that present themselves on the mat. We must meet them, rather than run from them. And with practice, meeting them means getting up close and personal with them through our bodies pretty much everyday with as much equanimity as we can muster until they loose their power. We might relax into them, melting into some mythical grace, or we might fight them tooth and nail in some epic shit fight, there’s no blue print for how exactly we are meant to face these moments. But I think we must trust that the struggle is there for a reason, that it serves some greater purpose other than to annoy or frustrate us, it isn’t getting in the way of our ease and happiness–rather, it is the way.


Continuing to grow here in Mysore SF. It is such a pleasure to be working in such a space where the practice and the teaching is so very alive, so very real–real in the struggle as much as the joy of practice. There’s an alchemical force in the room. The potential for transformation is there. Very grateful to be taking part in it. Mysore is Mon-Thur, 6-9am. Led Class is Fridays 6am and 7:30am. Sunday Mysore is 2nd and 4th Sundays (no class September 27, it is moon day). 

When It’s Tough to Practice

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Life is not always so accommodating towards practice. There’s, of course, a work, personal and domestic life balance that needs to be maintained. And we learn to negotiate between them.

There are the other times, however, where it is not a matter of time as much as it is a matter of space–emotional space. When the factors above close in on us, it takes a toll. And the tool, our sadhana, which we so often rely on to help us deal with stress and tension, amplifies our emotions, whether it’s anger, or frustration, or pain, or sorrow, or…the list goes on. At the best of times, practice can be a slow uphill battle. When under emotional duress, it can be total carnage.

What then? The teacher’s answer would be to practice anyway. Easier said than done, I know. But when it’s tough to practice, this is when we need to be practicing the most. The mat, the practice, is a sharp yet subtle mirror, and facing it when times are challenging is difficult but ultimately helpful because it does its job. It allows us to see ourselves and the issues that weigh heavily on us.

Practice anyway.

Practice any way. It may not be your optimum, it may not even be your full practice, perhaps it’s simply getting through sun salutations, maybe it’s just getting on the mat and breathing before the thoughts and feelings crowd in on you. Then, come back and do more the next day, giving your body and breath the space to expand. The sheer guts and determination to show up for yourself can become a wellspring of inspiration and strength.

If you have the courage, the heart for it, watch carefully, observing the places of discomfort and the places where there is space. Each day watch as it gets better because everything changes. The practice itself becomes a vehicle for these small or big shifts. Slowly, what was originally disempowering becomes its opposite. When it’s tough to practice, just practice.

The Offering

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Honoring Guruji, Sri K. Pattabhi Jois, on his 100th birthday. Of course, Hanuman too.

Today a student brought flowers for Hanuman and Guruji–a beautiful offering. The real offering, however, is the simple and, yet, at times, difficult task of coming to class. The sacred act of showing up, no matter what that looks like, no matter what it feels like, no matter whether we are completing first, second, third, part of standing, turning up on our mats each morning is the offering we make to our teacher, to ourselves, to our deepest purpose. To practice is to bow respectfully as you lay freshly picked flowers before your teacher. It is a kind of work/prayer that is continuous, that doesn’t ask for anything other than to be allowed to be in existence, in gratitude and in love.

PHOTO: Hanuman and Guruji, honored with flowers in Mysore SF. It has been a beautiful and challenging opportunity teaching on my own here these few weeks. I am grateful to all the students who did the simple and yet sometimes so difficult task of showing up. (Guruji would have been 100 years-old this week).

Feet on Ground

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The great art of grounding. It seems like the most simple and natural thing in the world, right? After all, don’t we all stand on two feet? Yet, how many of us find it challenging to be truly steady?

I must admit, having lived the last few years on the road, this is not strong point. But as I ground here in San Francisco, I am rediscovering my land legs and reassessing what it means to be grounded. My relationship with the ground is changing because it is no longer constantly shifting underneath me. For years I sought strength from my center in order to be spry and flexible and to find steadiness in a world of movement. Presently, without all that whirling, I am surprised to find that my relationship with the ground is not what it should be. In this relative stillness, I am finding my feet, the whole feet, the weight, how it engages the legs and feeds into the center–all of which existed before, but now, with solid ground beneath me, I feel both the support and, well, the challenge of it. The ground does not give. Push on it and it pushes back–and that’s even more supporting.

As a result I’ve been on the watch for it, not only in my own practice but in the practices of those who are in my care at present–which I suspect makes me kind of a pain sometimes. I know what it’s like to be standing on two feet and not really interacting with the ground and I’m starting to understand what it’s like when that relationship is strong and active and how it makes a huge impact in the integrity of every pose, of every vinyasa, of walking, of standing.

These days, each time I get on the mat, I ask myself, am I fully grounded, am I fully interacting with the ground beneath me, or am I just going through the motions, my feet and the floor beneath me, just barely touching.

PHOTO: Finding my feet in San Francisco. Mural Room, De Young Museum.

Moon Day Practice

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Today, as I sat having tea with some beautiful devi-friends at the Hagiwara Tea Garden in Golden Gate Park, which was preceded by a lovely morning walk around the grounds, which was preceded by a much appreciated lie-in (anything past 4:15am is a luxurious sleep in for me during the week), I could not be more grateful for Moon Days–full moon and new moon are rest days in terms of practice, thus, I also do not teach on these days.

This New Moon felt both restful and nourishing. The opportunity to engage with the morning differently, to seek out community outside the practice space, to be outdoors and enjoy the summer sunshine–a scarcity here in San Francisco until recently. To observe moon days are a practice in themselves, and an extension of our yogasana practice. It is the practice of rest, of honoring the needs of the body to rejuvenate itself, of honoring the needs of our subtle bodies–the nervous system, the mind, the emotional body–to integrate the information that is gleaned during yogasana practice.

It is a practice to calibrate ourselves with the cyclical nature of the moon–and, thus, with nature itself. This happens naturally when we observe the moon days. We allow for the depth of practice to move beyond the rubber mat into the greater world we live in.

Particularly with this moon falling on a Wednesday, it feels like a holiday midweek. We often return from holidays with more energy, greater clarity, deeper resolve. This is an important part of practice; we ought to observe it, enjoy it, embrace it.

PHOTO: Buddha bathing in sunlight at the Japanese Tea Garden at Golden Gate Park. It seems inseparable these days, yoga practice and life. Even during my break from practice, the trajectory was all to familiar: the balance of the Japanese garden, the use of elements to draw one into meditation, the discourse the ongoing journey to find the self in equanimity. Makes me smile. There is no real break from real practice.